The course is structured in three parts. Firstly, objects that tell the story of the château and how it works, with a “backstage and administration” aspect.
Then, the unusual takes over: unexpected pieces, such as dog portraits linked to Hortense Schneider, or a brass box surrounded by a legend.
Finally, there are objects marked by the upheavals of history and inventions that heralded modernity, including a book attributed to the library of Napoleon I, damaged by a cannonball.